msmithbooks Chapter 1388 11387 Should we talk about the characters first or take pictures first?
Chapter 1388 11387 Should we talk about the characters first or take pictures first?
"I personally think that recording the real events is a strong belief that supports Leni Riefenstahl's final cut of "The Battle." Just like director Giovanni's last words: 'War has never been the responsibility of us filmmakers. . Our responsibility is to find a bloody curtain that belongs to the filmmakers in this bloody human cannibalism. Use the filmmaker’s way to record, describe, and create. Good, bad, righteous, evil, or just tragic. Happy to be an insignificant blood flower blooming in the chest in life.'" Second casting assistant Anna Moffett gave her own answer.
"Ah..." The everlasting "French Rose" understood the filmmaker's position: "Sorry, I don't have much interest in making movies."
"Don't make a decision in a hurry. Please come to the set and take a look, okay?" Second Casting Assistant Anna Moffitt did not intend to give up.
"That's it." After thinking for a moment, the never-fading "French Rose" finally relented: "Then, okay."
"Okay, ma'am. Are you free this afternoon?" Second casting assistant Anna Moffett immediately agreed on a time.
"Okay, no problem." The never-fading "French Rose" didn't seem to show any special interest from beginning to end.
"Okay, the studio's special car will be waiting at the front door of the hotel at 2:30 on time."
"Can you tell me who you are again?" It's human nature to be unable to remember the name of a stranger you called for the first time.
"No problem, ma'am. I am the second casting assistant on the set of "National Glory: The Great Battle", Anna Moffitt."
"Second Casting Assistant, Ms. Anna Moffitt. Looking forward to meeting you." After repeating it, the everlasting "French Rose" hung up the phone politely.
"I'm also looking forward to your visit." There was no flaw in the entire conversation.
In fact, the Adlon Hotel, where celebrities gather, is where reporters gather. The beautiful woman in front of the door has murdered countless films. This is the same mentality as many tabloid reporters in later generations who like to hang out near five-star hotels to capture celebrities.
Of course, just as there are always people in later generations who like to dress up in disguise and sneak into high-class gatherings. There are also many beautiful modern girls who have nothing to do all day long, specifically entering and exiting the Adlon Hotel where celebrities gather. Rain or shine, it’s as natural as clocking in to work. The purpose is clear and simple. What if you "catch a golden turtle" or "fly on a branch and become a phoenix"?
Even if you can't climb the dragon and cling to the phoenix, you can rely on the powerful. Being spotted by a talent scout and becoming famous overnight is acceptable.
Therefore, the everlasting "French Rose", who seems to have never shown any special interest in making movies from beginning to end, is also sincerely looking forward to meeting the second casting assistant. Therefore, for the Gestapo who tapped the phone, this pretentious gesture of refusing to welcome, on the contrary, quickly cleared the suspicion of the never-fading "French Rose".
The door to the suite was gently pushed open.
Several modern girls who lived in the next room entered the room of Louise Desfontaine, the eternal "Rose of France." They are all members of the SOE women's task force, including Jeanne Faucier, the prostitute who killed the pimp, Gaile Lemenech, the bomb expert's female secretary, and Susie Des, the dancer who was engaged to a Nazi officer under the alias "Lillian" Prez, Jewish female nurse radio operator Italian female agent Maria Luzzatto.
"Louise, this second casting assistant seems to be one of ours." Italian female agent Maria Luzzatto whispered.
"I know, Maria." Louise Desfontein quietly gave a look that said, "Be careful, the walls have ears." She coughed lightly and said openly: "This is the purpose of selling everything and coming to Berlin. Although the distance has become a Movie stars are only one step away, but everyone must hold back. As a man, you can't get too close or entangle yourself too tightly. If you are at a distance, refusing to welcome is the best way to communicate." "Ah, I have to say it again. You know men best." Bomb expert Gayle Lemenech immediately joined in the performance happily.
"We have an appointment to meet in the afternoon." Louise Desfontaine deliberately snapped her fingers and urged: "Girls, dress up quickly. Good times are coming!"
"Long live--" A group of ladies whose "secrets" had long been known to the Gestapo who had been eavesdropped on them immediately jumped and cheered and ran back to their respective rooms.
With almost no interruption or obstruction, the SOE female contingent took a special car and arrived at the set on time. After passing the security check, I was invited into the casting office in the assistant director's car.
"Hello, ma'am." Second Casting Assistant Anna Moffett extended her hand warmly.
"Hello, madam." Louise Desfontaine, the leader of the SOE women's task force, responded equally enthusiastically.
"Let's talk about the role first, or take the photos first?" Second Casting Assistant Anna Moffitt got straight to the point.
"Let's take pictures first." Louise Desfontaine, the leader of the SOE women's task force, originally thought that "taking pictures" only meant "to verify one's identity." Going to a safe secret room to connect is also a common method used by underground resistance organizations.
Moving to the special studio, second casting assistant Anna Moffett smiled and pressed the shutter: "Look straight ahead, keep smiling, don't blink, 3, 2, 1——"
There was a "click" and a bright white light.
The second casting assistant used the Air Force customized version of the Leica IIIc "Patch Camera" to be granted in advance the "Character Patch" blessed by the "hypertemporal cache" technology and successfully activated the inverse causality law to reset the personal exclusive branch of "washing entries" with one click. The plot line has been completely updated. The SOE female task force captain, the never-fading "French Rose" female sniper "Louise Desfontein", the identity of the original plot time and space has been taken from the "0326 Star Rubik's Cube Base" from a higher dimension. A new identity of a member was quietly replaced.
His consciousness was stretched infinitely in an instant, and old memories kept flashing back like a rapidly rewinding movie scene. The "close-up fragments" that are deeply remembered in life are frozen and enlarged piece by piece from the long life picture without any reservation. Nakedness appeared before my eyes. The only male protagonist in all the "clips" that were frozen, enlarged, and double-exposed, followed by a moment from blur to clarity, and from unfamiliar to familiar. The lagging memory "fragments" immediately disappeared and reorganized into a complete memory chain.
"Ah..." is the same feedback from all the members of the "SA3 Sisterhood". With a light but lingering sigh, the stars in the eyes of the SOE female task force leader faded away and returned to normal. The whole person is reborn from the inside out.
Everything is glowing.
The accurate term for double exposure is: Multiple Exposure. It is a technique in photography that takes two or more independent exposures and then overlaps them to form a single photo.
Of course, the term used here is a metaphor for the "one-click replacement" of plot characters' high-dimensional awakening.